From ThreeWeeksChris Cox: Fatal Distraction *****Chris Cox's extraordinary mind-reading display forced me to reconsider my review star-rating policy, as five stars seem almost too miserly for this show. An endearing boy-next-door version of the unnervingly sinister Derren Brown, Cox had dozens of baffling tricks up his sleeve during this performance, and it couldn't have been coincidental when each one was executed to perfection. Long before the stunning grand finale, his illusions were so consistently astounding that the magical and remarkable became commonplace and customary. For example, shortly after revealing the mobile number of an unsuspecting audience member, Cox demonstrated that he had memorised seemingly every detail in this year's colossal Fringe programme. 'Fatal Distraction' is listed on page 57 – book your ticket immediately.
Chris Cox's extraordinary mind-reading display forced me to reconsider my review star-rating policy, as five stars seem almost too miserly for this show. An endearing boy-next-door version of the unnervingly sinister Derren Brown, Cox had dozens of baffling tricks up his sleeve during this performance, and it couldn't have been coincidental when each one was executed to perfection. Long before the stunning grand finale, his illusions were so consistently astounding that the magical and remarkable became commonplace and customary. For example, shortly after revealing the mobile number of an unsuspecting audience member, Cox demonstrated that he had memorised seemingly every detail in this year's colossal Fringe programme. 'Fatal Distraction' is listed on page 57 – book your ticket immediately.
An open letter to reviewers and editors at the Edinburgh Fringe. As the Edinburgh Fringe heads into its final week proper, it gives performers some time to reflect on the weeks that have passed - and one thing none of us can stop talking about is reviews. After some good advice from Tim Minchin a few years back, I make a huge effort to not read any reviews. I see stars go up on posters, and I'm flattered, and all is well and lovely. Well. All was well and lovely. I accidentally read a review from a respected print publication, not a blog or an audience review but a potentially influential review, by a professional reviewer. I was furious, but not because it was a bad review. Oh no, it wasn't. Everyone at the end of my show gets asked to keep the secrets of the show secret - not to give away the plot - the tricks or what happens in the show. The same is asked of reviewers. So as I'm reading the review, I realise it's not a review. At no point is there any comment on my show, on the reviewers thoughts on the show, there is no review. Instead it's a fairly graphic synopsis of everything that happens in the show including exact details of the story line, the major plot twist, and what happens in tricks. I was fuming. Not least because if some people know what happens in tricks, then the tricks simply will not work. Hence why I am at pains to make sure they are not given away. This reviewer in essence has (spoiler alert) told you Bruce Willis is dead in the Sixth Sense, then talked about the rest of what happens in the film, without ever actually commenting on it.As performers we put a hell of a lot into our shows, for me its 18 months of writing, rehearsing, developing, creating brand new and unique tricks, methods and such. The very least we expect is that a reviewer takes care in reviewing us, and puts the effort in, in the same way we put the effort in for our shows. When someone doesn't do this, it's galling. When they don't review the show but just give away the secrets or the content it is even worse. Comedians have a hard time with reviewers giving away jokes, but for magicians it's careless, because in many instances it can mean a trick will no longer work or have that wow / surprise factor that it needs to hit home with an audience. All that can be ruined by one lazy reviewer. There is a huge difference between giving away a flavour of the show, and giving away exactly what happens in the show.I realise there is a problem with reviewing magic shows in particular, unlike the world of comedy, there is not as much around to be able to easily judge as to whether something is good, original, new or unique. This is because there hasn't been a huge amount of magic around recently, but now with over 40 magic shows at the Fringe and more magic appearing on our screens is it time reviewers knew a bit more about the craft of tricking people? I know in my show this year it's 100% new material (plus 1 old joke) with most of the tricks created by me and having never been seen before. There is no guess work involved, there is 100% fact and 100% trickery, be it mind reading, quasi mind reading, fake mind reading or magic. I have a narrative, the first time I've used one and it, at least to me, sets my show apart from other magic shows which are a collection of tricks (and there is nothing at all wrong with that style of show.) A reviewer as a rule however doesn't know this, and why should they? They are reviewing the show from a blank canvas. Do they like it; do they think it's good? Problem lies in the different standards across the board of reviewers. If you get someone into review a show that likes magic then the review will be more favourable than a reviewer who isn't such a big fan. I've seen great reviews for magicians by the same author, then for the same publication mediocre reviews for magicians who in my opinion are putting on a better show by a different author and I can only put it down to the fact that the latter isn't a huge fan of magic shows.Then you have reviewers who think they know how the tricks are done, and make sure they mention this as part of the review, as I've seen for magic shows by friends this year. Here's a secret. Everyone in the audience thinks they know how it's done. That doesn't mean that is how the trick is done. We are not asking you to just believe in magic, instead we are asking you to enjoy the entertainment factor of a show. If you want to try piece together the jigsaw of how a trick is done, go ahead. However don't just assume you know how everything is done and therefore think it's a bad show because of that. Unless of course you see a sloppy magician who gives everything away and you clearly see the trick. It's about thinking carefully, seeing past the tricks and seeing what the performer is trying to achieve, magic is and always will be more than just tricks. The tricks are the bones of it, but it's everything else which makes it watchable. We are not here as magicians to make you believe we are really performing the impossible, we are here to entertain.Having spoken to some reviewers recently I am aware there is a trend for editors to request their reviewers explain what happens in the show, thus ruining punchlines, tricks or indeed whole plot points. Audiences like surprises, audiences are not stupid, audiences don't have to be spoonfed exactly what is in a show, audiences are clever enough to make their own minds up and reviews should be based on opinions with a flavour of the show.No one reviews reviewers, there is no comeback for any disgruntled performer who feels unfairly treated by a review because the facts might not be right, because it is just a synopsis of the show, because it's not a review. Where is the right to reply for a performer who gets reviewed by someone who is grumpy, tired, seeing their eighth show of the day in a hot room and would much rather just be having something to eat then churning out another few hundred words on something they aren't going to enjoy, despite the hundreds of people round them having a wonderful time. I realise reviewers have it tough and on the whole do a great job, but every now and again something slips through the net and that something can have a huge affect on someones performance, show or even career. Perhaps it's time reviewers remember how important reviews are to the performers as well as the audience, and open up a dialogue to ensure that there is a right to reply, not from bitter performers and comics who think differently to the reviewer, but when something is obviously at odds between the performance audiences are loving and what the reviewer has written. I remember, earlier this year, seeing a two star review for a comedy show I saw at the Royal Albert Hall. This was a show that got three spontaneous standing ovations. 4999 people loved and adored that show, one person didn't. That one person wrote a review, and rather than taking into account the opinion of the populous they decided to say it was rubbish, when it quite obviously wasn't.The simple fact is, reviews are vital to performers and audiences alike and all any of us ask is that they are fair.
With the Edinburgh Fringe well underway Chris' new show Fatal Distraction is getting quite the buzz. A 5 star review from FringeGuru was followed by 4 stars from All The Festivals, Time Out & The Sunday Express with more to follow. Be sure to book your tickets before it sells out. You can get them here and you can read some reviews from people who have been to the show here, they have said things like:"Bewilderingly brilliant - just go - you will not be disappointed" "My husband and son went to see this and think its the best show they have seen. They would give it 5 stars" "Outstanding show! Recommending this to anyone attending the Fringe. Great blend of humour and mindreading and we were all left speechless at the end! How does he do it? Will definitely be back to see him again next year!!!!" "Absolutely amazing. Of all the things I saw this week this was my favourite. Not going to say anything about the actual act because it will spoilt it. Just go it's brilliant." "What a show! A real mix of comedy, genuine sentiment and mind altering madness. You will laugh and you will be amazed, 3rd year in a row I've been to see Chris and he improves year on year. Don't miss out"
Reviewed by Kirsty Leckie-PalmerIn some ways, comedy and magic are very similar. Both rely on subverting expectation or diverting attention, and then suddenly – at the right moment – releasing the rabbit from its millinery fortress or punching home the right line. Chris Cox doesn’t so much pull a rabbit from the hat in his comedy magic showFatal Distraction, as produce a few fully-grown elephants.You’ll feel a part of Fatal Distraction as soon as you make your way into the Pleasance King Dome, and it is highly likely you’ll have your mind ‘read’ at some point throughout the show. Refreshingly, Cox offers an immediate disclaimer that he can’t actually read minds. This consistent honesty makes for a far more credible performance than some of his contemporaries, who either rely on us believing in magic (patronising) or make it seem like they’re doing something very special by explaining a few illusions (stingy). With Cox, we know he’s doing something clever, we know there’s a rational explanation… and we don’t feel we need to know any more.Cox’s approach to magic is undoubtedly distinctive, and doesn’t come with the frustration inherent in many magic acts. Cox achieves his laughs more through showmanship and self-deprecation than anything else, and even manages to bring a little poignancy to the hour. He engineers the show around a story involving a past relationship, weaving his tricks into a sweet and enjoyable tale. There’s also a stuffed ferret in a jumper.I recall at several points having to cover my mouth, to conceal the fact it was hanging open in a mix of shock and excitement. (Think of the sort of expression which, were I to wear it to the office, which would almost guarantee some investigation into my mental health.) By the finale, without giving too much away, everything that had happened throughout the show came together in a well-orchestrated harmony of stupefaction – and Cox rocketed in my estimation from a cheeky, youthful trickster to a bewildering talent.At one point, things took a turn for the unexpected, as a young audience member selected at random decided he didn’t want to be on stage. Cox handled the shy young chap with such warmth and professionalism, it had little impact on the show, other than reassuring the audience he’s probably quite a nice guy.Fatal Distraction is a highly accessible magic show – and Chris Cox is a hard-working, enthusiastic performer, who has put together a world class act with panache. I’d struggle to think of any negatives, though perhaps someone with a pathological fear of stuffed ferrets would disagree. The show I attended was a magnificent experience for anyone; the entire audience were brimming with goodwill as they left. I’d also like to clarify that Chris Cox’s mind control in no way influenced this review. Although even if it had done, wouldn’t that prove my point?View the original article